FINALIZANDO O CURSO IV

EIS A BIBLIOGRAFIA QUE USEI PARA ESTE CURSO

BIBLIOGRAFIA

1- Traduções de A Ilíada, de Homero

No curso adotamos a seguinte tradução de A Ilíada: Frederico Lourenço (São Paulo: Penguin/Companhia das Letras,2013).  Há ainda no mercado as seguintes traduções:

HOMERO. Ilíada de Homero. 2 vols. Trad. Haroldo de Campos. São Paulo:Arx, , 2002.

HOMERO. Ilíada. Trad. Carlos Alberto Nunes. Rio de Janeiro: Ediouro, 2001.

2- Comentários

AUERBACH, E. "A cicatriz de Ulissses" in Mimesis. São Paulo: Editora Perspectiva, 1-20.

BELL, R. " Homer's Humor: Laughter in The Iliad" In: Humanitas 20(2007):96-116.

BLOOM, H.  Homer's The Iliad. Chelsea House Publishers, 2005.

BRANDÃO, J. Traduzir Homero do grego para o grego (as mediações da teoria)  Script Classica online 2(2006):5-29.

BUCKHAN, M. Perfidy&Passion. Reintroducing Homer.  The University of Wisconsin Press, 2012.

BURGESS, J. The Tradition of the Trojan War in Homer & Epic Cycle. The Johns Hopkins University Press, 2001.

CLARK, M.   Formulas, metre and Type-Scenes. IN:  FOWLER 2004:117-138.

DOUGLAS, M. An Essay on Ring Composition. Yale University Press, 2007.

DOWDEN, K. Homer's Sense of Text. The Journal of Hellenic Studies 116(1996):47-61.

FOLEY, J.M. (Ed.) A Companion to Ancient Epic. Oxford: Blackwell Publishing, 2005.

FORESTIN, A. Le vers de l'Iliade: sa musique, toute sa musique. Chez l'auteur, 1990.

EDWARDS, M.  Homer and Oral Tradition: The Type-Scene. Oral Tradition, 7.2(1992):284-330.

FOWLER, R. (Ed.) The Cambridge Companion to Homer. Cambridge University Press, 2004.

GONZÁLEZ, J. M. Rhapsôidos, Prophêtês, and Hypokritês: A Diachronic Study of the Performance Poetry in Ancient Greece. Tese de Doutorado, Departamento de Estudos Clássicos, Harvard University,  2005.

GRAZIOSI, B.&GREENWOOD, E.  Homer in the Twentieth Century. Oxford University Press, 2007.

HEIDEN, B. Homer's Cosmic Fabrication. Choice and Design in the Iliad. Oxford University Press, 2008.

KIRK, G.S. The Songs of Homer. Cambridge University Press, 1962.

KIRK, G.S. The Iliad: A Commentary: Volume I. Books 1-4. Cambridge University Press, 1985.

KIRK, G.S. The Iliad: A Commentary: Volume II. Books 5-8. Cambridge University Press, 1990.

KIRK,G.S & HAINSWORTH,B. The Iliad: A Commentary: Volume III. Books 9-12. Cambridge University Press, 1993.

KIRK, G.S.;EDWARDS,M. & JANKO,R.  The Iliad: A Commentary: Volume IV. Books 13-16. Cambridge University Press, 1992.

KIRK, G.S.& EDWARDS,M. The Iliad: A Commentary: Volume IV. Books 17-20. Cambridge University Press, 1991.

KIRK, G.S.& RICHARDSON,N. The Iliad: A Commentary: Volume IV. Books 21-24. Cambridge University Press, 1993.

LATACZ, J. Troy and Homer. Towards a Solution of An Old Mystery. Oxford University Press, 2004.

LORD, A. The Singer of Tales. Cambridge: Harvard University Press, 1990.

MANGUEL, A. Ilíada e Odisséia de Homero. Uma biografia. Zahar, 2008.

MARTIN, R.  The Language of Heroes. Speech and Performance in the Iliad.  Cornell University Press, 1989.

MONTANARI, F. , RENGAKOS, A.& TSAGALIS, C.  Homeric Contexts. Neoanalysis and the Interpretation of Oral Poetry. Berlin: De Gruyter, 2012.

MOTA, M. A dramaturgia musical de Ésquilo. Editora UnB, 2008.

MOTA, M. Nos passos de Homero. São Paulo: Annablume, 2013.

NAGY, G. Homer, the Preclassic. University of California Press, 2010.

NAGY, G. Poetry as Performance. Homer and Beyond. Cambridge Univesity Press, 1996.

PARRY, M. The Making of Homeric Verse. Oxford University Press, 1971

POWELL, B. Homer. Wiley-Blackell,2007.

RICHARDSON, S. The Homeric Narrator. Vanderbilt University Press, 1990.

SCHULER, D. A construção da Ilíada. L&PM,2004

SCOTT, W. The Oral Nature of The Homeric Simile. Lugduni Batavorum e J.Brill, 1974.

SILK, M .  Homer. The Iliad. Cambridge University Press, 2004.

SOUZA, E.  Teoria e uma tradução linear do canto I da Ilíada de Homero. Dissertação de mestrado, PPG Letras UFPB, 2006.

3- RECEPÇÃO ESTUDOS CLÁSSICOS/ HOMERO

BARBOSA, T. Ilíada de Homero em Quadrinhos. RHJ livros, 2012.

HALL, E. " Can the Odyssey ever be Tragic? Historical Perspectives on the Theatrical Realization of Greek Epic"  In: M.Revermann& P.Wilson (Orgs) Performance, Iconography, Reception: Studies in Honour of Oliver Taplin. Oxford University Press, 2008, p. 499-523.

HARDWICK, L. "'Shards and Suckers' Contemporary Receptions of Homer" in R.Fowler(Ed.) The Cambridge Companion to Homer . Cambridge University Press, 2004,p. 344-362.

LORD, G. de Forest. Heroic Mockery: Variations on Epic Themes from Homer to Joyce. University of Delaware Press, 1977.

McCONNELL, J. "Avant-Garde Epic: Robert Wilson’s Odyssey and the Experimental Turn"  ARION 21.1(2013):161-174.

 PEIRANO, J. Listening to the Sirens. Musical Technologies of Queer Identity from Homer to Hedwing. University of California Press, 2006.

WINKLER, M. Troy: From Homer's Iliad to Hollywood Epic. Blackwell Publishing, 2007.

4- SOBRE COMICIDADE

BREMMER,J. & ROODENBURG, J. (Orgs.) Uma história cultural do humor. São Paulo: Editora Record, 2000.

DZIEMIDOK, B. The Comical. A Philophical Analysis. Kluwer Academic Publishers, 1993.

GEIR, M. Do que riem as pessoas inteligentes? Uma pequena história do humor. São Paulo: Editora Recod, 2011.

GILHUS, I. Laughing Gods, Weeping Virgins. Laughter in the History of Religion. Routledge, 1997.

MORREALL, J.  Humor as Cognitive Play.  JLT 3/2(2009):241-260.

MORREALL, J. Comic Relief. A Comprehensive Philosophy of Humor. Wiley-Blackwell, 2009.

MORREALL, J. Humor Works . HRD Press, 1997.

MORREALL, J(Ed.). The Philosphy of Laughter and Humor. State University of New York Press, 1987.

RASKIN, V. The Primer of Humor Research. Mouton de Gruyter, 2008.

VEALE, T.,FEYAERTS,K&BRÔNE,G.  The Cognitive Mechanisms of Adversarial Humor. Journal of Humor Research 19.2(2006):305-338.

5- SOBRE COMICIDADE NA ANTIGUIDADE

ARNOULD, D. Le rire et les larmes dans la littérature grecque d'Homère à Platon. Paris: Les Belles Letres, 1990.

DESCLOS, M.L. Le Rire des Grecs. Anthropologie du rire en Grèce ancienne.  Grenoble:Jerôme Millon, 2000.

HALLIWEL, S.  Greek Laughter. A Study of  Cultural Psychology from Homer to Early Christianity. Cambridge University Press, 2008.

HOFFMANN,P.,TRÉDÉ,M.& AUVRAY-ASSAYAS,C. (Orgs.)Le Rire des Anciens. Éditions Rue d'Ulm, 1998.

LATEINER, D. Sardonic Smile:Nonverbal Behavior in Homeri Epic. The University of Michigan Press, 1998.

NUNES, R.P.  A Batracomiomaquia. A guerra das rãs e dos ratos.  Coimbra: Centro de Estudos CLássicos e Humanísticos da Universidade de Coimbra, 2008.

PEREIRA, R.M.T. (Trad,Int., Notas) Philogelos,de Hiérocles e Filágrio.  Imprensa da Universidade de Coimbra, 2013.

RUSTEN, J. (Org.). The Birth of Comedy. Text, Documents, and Art from Athenian Comic Competitions, 486-280.  John Hopkins University Press, 2011.

SOYTER, G. Griechischer Humor von Homers Zeiten bis Heute. Berlin: Akademie-Verlag, 1957.

WEEBER, K(Ed. trad.).   Humor in der Antike. Stuttgart: Philipp Reclam, 2006.

6- Processos criativos

BARRET, E. & BOLT, B. Practice as Research. Approaches to Creative Arts Enquiry. Londres e Nova York: I.B. Tauris,  2010.

KERSHAW, B. & NICHOLSON, H.(Eds.) Research Methods in Theatre and Performance. Edinburgh University Press, 2011.

HUTCHEON, L. Uma teoria da adaptação. Editora da UFSC, 2011.

MOTA,M.  Performance e Estudos Clássicos: Proposta de Seminários Interdisciplinares.   São Paulo: Annablume, Anais do II Encontro do Núcleo de Estudos Clássicos UnB, 2014.

SMITH, H & DEAN,R. Practice-led Reserach, Research-led Practice in the Creative Arts. Edinburgh University Press, 2009.